The Iron Lady (2011) – A review

I don’t deny the fact that I went to the cinema hall heavily biased with Meryl Streep’s magnificence, knowing the fact that has she recently won an Academy Award, a Golden Globe award and a BAFTA award for this role of hers and also that she has been one of those actresses who has mesmerized me by her acting every time when she was on screen. She is a masterpiece and she sure stands by her dazzling stature in every character she plays, including the Iron Lady. She never disappoints you. Every time I complete watching her movie, I think there cannot be any more heights in the field of acting that one can conquer, but with her every next movie, Meryl Streep proves me wrong. She has actually proved that true talent is unfathomable and limitless.

The Iron Lady starts off wonderfully and keeps you glued with its intriguing storytelling. It presents you 3 very important phases of a person’s life, which tells you everything about that person. These 3 phases are extremely important in understanding that person, as that person is no normal human being. She was one of those exceptional people that human race has rarely witnessed. Margret Thatcher, England’s first woman Prime Minister is the Iron Lady. She has been portrayed keeping her charismatic persona and her never-say-die attitude intact. You can very well feel her nerves of steel and her attitude to change whatever is wrong around her. I was so glad that they didn’t try to mingle with the character and try to add fictional elements in it otherwise it would have ruined everything. Some stories are best untouched and I am happy that the filmmakers respected that.

The film starts with Margret Thatcher in her old age and time around 1990 where it describes how she is dealing with her personal battles. This phase is described as the price she paid in her personal life for her political career. Her dynamic youth and her years as Prime Minister are perfectly blended with her old age as her flashbacks. It is woven and delivered beautifully as a progressing storyline. The way when she is signing books and accidently signs as Margret Roberts instead of Margret Thatcher, that moment at dining table when she sees the cutlery besides her plate and that gesture of her to wait at a door for a second after closing it and overhearing her colleagues talk about her – there is only one word for that, ‘Masterpiece’. Even some of those scenes when she is the Prime Minister of England are compelling and well crafted. The scene when she comes to power and walks to her office in 10 Downing street, other scene when her assistant is stitching a button on her dress and her cabinet ministers are demanding a statement on current recession, or the scene when United States’ secretary of defense comes to meet Thatcher regarding the ongoing Falklands war or the Parliament sessions, all of them are brilliant.

It is needless to say that there is no actor in the world who could play Margret Thatcher better than Meryl Streep. The way she has put on her character in this film, her involvement, her efforts and her commitment is well evident from what we get to see on the screen. Not for a second you can realize that her British accent is not real. This article is not at all sufficient to appreciate what Streep has delivered for this movie. Another great thing about this movie apart from acting and screenplay is its makeup and dressing team. A lot of people have said that there were better contenders for dressing and makeup category’s Oscar award this year but I think that it is well deserved. Meryl Streep was presented perfectly as Margret Thatcher during her power years as well as her makeup during her old age scenes was mind blowing. It was so convincing that after sometime you stop seeing Meryl Streep as a character and you start watching only Margret Thatcher. All in all, a terrific movie and a timeless tour de force. It’s a must watch for Meryl Streep fans, a fantastic movie for political movie fans and biopic fans, and a no-goer for others as it is not a piece of entertainment. It is a serious biographical work and it is not meant for entertaining the whole mass of crowd. I am yet to see J.Edgar so cannot give a word on which biopic is better. But this one surely does go down as Streep’s best works so far.

Johnny English Reborn (2011) – A review

I just got my hands on the DVD of Johnny English Reborn. I know that its quite late and all has been talked about this movie but I loved the movie and thought that it deserved the place in the blog. I had watched the first part long ago and it had impressed me back then as well. I am pretty biased for spy stories and also for quality comedy. And when they both are mixed together, they can really create a wonderful movie experience. I wonder why not many in Hollywood haven’t been able to pull it off so nicely as Johnny English. Pink Panther is the only example that strikes my mind, and Pink Panther were awesome indeed!

Basically, I guess, pulling off a nice spy-comedy movie requires a good storyline, because you can’t just keep audiences glued to their seats by making a spy make a fool of him for two hours. They do need a good story to keep themselves occupied. The first Johnny English had a wonderful storyline and the way they executed was wonderful. They just had to make sure they didn’t loose their mark in this one and good heavens they didn’t. It was a mind-blowing execution. It was a nicely progressing storyline with really funny comic sequences blended beautifully with it – A perfect cocktail.

The movie starts off with wonderful display of credits. I don’t know if people pay much importance with the starting credits or not but personally to me, the starting credits play a vital role in getting the mood for the movie. JER had perfect rolling credits with a wonderful background score. The movie hits off with Johnny English among Tibetan monks learning martial arts. For a moment I thought it was mocking Christopher Nolan’s Batman Begins, but the moment English lands in London, its pretty clear. The best spy of MI7 is back!

The story catches speed and a lot of characters are introduced. In the first part there was Ben Miller playing Angus Bough – English’s wingman. This time they had Daniel Kaluuya playing Agent Tucker as English’s sidekick. Together, both of them try to hunt down the assassins of Chinese premier. The fact that I love about Johnny English movies is that Rowan Atkinson can make anything funny. He generates humor from places no one else would imagine. A stupid spy creating a menace out of fancy gadgets is clichéd but no one can imagine of finding a hospital in a helicopter and that too by flying and following the road. I personally found it really funny. Well, that’s just an example but all Atkinson fans would know what I am talking about. All the gadgets and gizmos are correct and aptly used. The one that impressed the most was, my favorite, the 12-cylinder, 9 liter Rolls Royce car. MY GOD THAT CAR WAS AWESOME! Did I mention, that in caps? But seriously, it was amazing. Great work there!

The movie is beautifully shot and it doesn’t disappoint to the eye. Atkinson does look a bit aged but they’ve used that fact as their asset. They didn’t portray him as a young spy chasing the bad fellows. The Tibetan guru made that fact clear to him right at the start of the movie – ‘English, you’re not young anymore. But with age comes wisdom.’ And you can see that everywhere in the movie – while chasing the Chinese thief from the building, he doesn’t run even for a minute. He literally walks and catches him. Then when he is shot in the leg, he doesn’t try to run like clichéd heroes. But instead gets a wheelchair run faster then Range Rovers and Aston Martins. Awesome! The climax too is wonderful this time. Last time they stripped the Archbishop, this time he jumps on the Queen and bangs a tray in her head! Anyone with eyes would laugh at that scene! That old Chinese lady assassin also has done a super awesome job! All in all, it’s a great movie. If you’re a Rowan Atkinson fan and haven’t watched it yet, I highly recommend it. Get your disk over this weekend – its guaranteed entertainment!

Masterpieces: Anand (1971)

Anand film poster

Many of you might have seen this film and know about the magic it had. But for the rest of you, let me take you to a ride like never before. This film was one of the most touching and emotional films made in the history of the Indian cinema. The simplicity, the feelings, the dialogues of this film really made it a memorable experience. Every character of the film right from the lead character to a very small character – everyone had a chance to make a strong impact on the film. For example Johnny Walker played a character named Issabhai Suratwala. His character hardly lasted few minutes but he added a lot of merit to the film. It was a wonderfully written film with excellent execution by the maestro Hrishikesh Mukherjee. To deliver such a perfect story, Mukherjee had a team of 5 writers working on it including him and Gulzar along with others.

Rajesh Khanna in Anand

The film talked about the passion of life. It delivered a very poignant message. People often keep thinking of how many moments are left in their life before they die. Anand told people to think of how much life is there in those moments which they live. Do they really understand the worth of life and live it worthily? Or the fear of death makes their spirit succumb long before they actually die? The story of the film is presented as a narration of a doctor’s diary. Dr. Bhaskar Banerjee, an accomplished doctor, recalls his early career days when he came across a patient who later on went on to become his best friend and changed his life, as well as lives of others around him. The name of that guy was Anand. Anand Sehgal comes to Mumbai to meet his friend Dr. Kulkarni. But before he arrives, Kulkarni had Anand’s medical reports in his hands which clearly mentioned Anand having a cancer (lymphosarcoma of the intestine) in final stage.  He discusses the case with his fellow doctor and a friend Dr. Bhaskar Banerjee. Banerjee is a quiet young man, an introvert and doesn’t open up emotionally to people easily.

Anand comes there and meets both the doctors and behaves normally as if nothing is wrong in life and everything is going wonderfully. Banerjee gets furious at his jokes and his attitude and tells him to stop goofing around and get serious about his condition. He tells him that he has a terminal cancer. Anand replies to him in a very simple and naïve manner that he knows that he is having a huge tumor in his stomach and will not let him live for long but that doesn’t mean that he stops living from now itself. His reply leaves Banerjee speechless.

Anand refuses to get admitted in a hospital as a patient and prefers to live in Kulkarni’s house as a friend. Soon, Anand changes the whole environment around with his happy-go-lucky attitude. He starts making people smile and spreads happiness wherever he goes. He considers Suman, Dr. Kulkarni’s wife, as his sister as she didn’t have a brother. Their relationship is also described very vividly and is very touching. He becomes Bhaskar’s best pal and realizes that Bhaskar had a crush on one of his patients Renu, but he was too shy to express his emotions. Anand goes to Renu’s house, meets her mother as Bhaskar’s brother and proposes the idea of marriage of her daughter and Dr. Bhaskar Banerjee. The mother likes the idea and agrees to the proposal and thus Anand completes the task in minutes which would have taken Bhaskar ages to do so. There are several such incidents in the story which describe Anand showing people how much they are lacking to life and missing things by making their life complex. He delivers a message that simplicity will bring lots of new colors in your life and will add more memorable moments to your life.

Anand and Dr. Bhaskar recording the poem from Suratwala's play

Anand used to call Bhaskar as ‘Babu Moshai’ (a Bengali designation as Mister) as Bhaskar was a Bengali. He also had a very innocent habit of stopping any stranger and starting a conversation with them calling them as ‘Murarilal, one of his lost friends’ – a completely made up story. Every such stopped stranger used to end the conversation saying that he wasn’t Murarilal. But one day he encounters a guy whom he stops in a similar fashion and starts talking with him as if he is his old friend Murarilal. The stranger also reciprocates back in conversation as if he is his friend Murarilal. But when Bhaskar enters the conversation, Anand comes to know that the stranger is not Murarilal but he too was an open hearted stranger named Issabhai Suratwala who loved such pranks and enjoyed life similarly like Anand. Suratwala says that he operates a theater nearby and invites Anand if he is interested in seeing it.

Anand visits Issabhai’s theater and there he hears a poem on the philosophy of life, which later on becomes his favorite poem. He insists Bhaskar to record their voice on a tape recorder and both of them recite a poem. Bhaskar recites a poem called, ‘Maut tu ek kavita hai’ (trans: Death you’re a poetry. A poem originally written by Gulzar) and Anand recites the poem from Issabhai’s drama. Later, when Anand is on death bed and Bhaskar has gone to bring medicines for him, Anand requests to put on that recording and hears it during the last moments of his life.

Anand’s character is shown to be living in present. He is shown with no baggage of his past. No relatives, no family. He just describes his past life in brief to Suman, his sister and Dr. Kulkarni’s wife as he was very close to her.

Anand dies leaving everyone in tears and devastated. But the aura he leaves behind leave the audience moved as if they were under a spell. There were just 4 songs in the film but there couldn’t have been a better music to this film. All four songs were beyond excellence. The music was composed by Shalil Chowdry and songs were written by Gulzar and Yogesh.

Anand was played by the then superstar Rajesh Khanna and Dr. Bhaskar Banerjee was played by Amitabh Bachchan, a relatively new actor industry back then. Other cast included Johnny Walker, as I mentioned, Lalita Pawar as the Matron D’souza, Sumita Sanyal as Renu, Ramesh Deo as Dr. Kulkarni & Seema Deo as Mrs. Kulkarni.

The cast was perfect and couldn’t have been better. The original cast was supposed to be Mehmood as Anand and Kishore Kumar as Bhaskar but things didn’t work out that way and the cast was changed. There are some talks also that Anand’s character was based on the legendary showman Raj Kapoor as RK used to call Hrishikesh Mukherjee, ‘Babu Moshai’ in real life and also that RK had a similar happy-go-lucky and devil-may-care attitude in his life.

All in all, Anand was a true masterpiece and was duly honored by the Indian film fraternity with 6 Filmfare Awards in different categories like best movie, best actor, best supporting actor, best story, best dialogues, & best editing. One hardly gets to see such lively cinema in any part of the world. Hrishikesh Mukherjee became immortal with this film. It is without a doubt one of my all time favorites.

Bad Teacher (2011) – A review

Bad Teacher Poster

Time passes, actors age, and accordingly they set their portfolio of movies. But some actors are just too stubborn to accept their wrinkles. They still think they can play a 22 year old bombshell and one such poor stubborn soul is Cameron Diaz. The days, when she used to be one of Charlie’s Angels, are long gone by. But she still thinks that she can set the screen on fire which is unfortunately far from being true.

Cameron Diaz as the bad teacher

On the other hand, we’ve a very good singer and an astute and sharp entrepreneur, Justin Timberlake, who seemed to be getting the grip as an actor after doing ‘The social network’. But after watching him in this movie and watching the promos of his upcoming film ‘Friends with benefits’ with Mila Kunis, he has left me thinking whether he is really as talented an actor as a singer and a businessman he is, because his choice of roles makes him appear like a new comer, a wannabe actor, who is ready to do any script that comes his way. When actors try to be what they are not, it irritates the audience and they come out of the hall dissatisfied. Cameron Diaz should prefer some more serious and mature roles which suits her age. I guess she would look good in a role of a cougar, or a high society serial killer, something like Sharon Stone’s Basic Instincts, but no more playing a cute blonde chatter-box. And for Timberlake, we can still give him a chance as an actor, counting on his Sean Parker portrayal but more roles like this and he will be history as far as acting is concerned.

Cameron Diaz, Justin Timberlake and Jason Segal in Bad Teacher

Bad teacher is a film about a woman named Elizabeth Halsey (played by Diaz) who teaches in a high school and has no idea why she is a teacher. The only thing she likes is to be a rich-guy-parasite who clings to any guy that seems lifelike, if he can take care of her expenses. When she gets dumped by a squint millionaire she gets depressed, but then she discovers that the new substitute teacher Scott (played by Timberlake) which has joined the school is a very rich guy and the starts to woo him. She decides to go for breast implants to seduce Scott but since it costs 10 grands she tries a series of bizarre methods to gather that much money. But in the course of this pursuit of her, she comes to know that Scott is nothing but a lonesome looser who likes dry humping. And that, the fellow gym teacher Russell (played by Jason Segal), who was constantly hitting on her, is much more of a real guy than that rich teacher. She realizes that she has been a superficial girl during her whole life and goes out with Russell dumping Scott’s proposal in the end. That’s it. There is not a single scene in the movie which is genuinely funny. If you’ve not seen the movie but have seen the trailer of it, trust me, you’ve seen everything the movie has. There is not a single sequence in the film which is funny apart from the ones shown in the trailer.

Also, the thing which strikes the eye is that there is zero chemistry between the lead pair of Diaz and Timberlake. Maybe that’s because their roles were pathetic or maybe because Diaz and Timberlake had yet not got over their break up since 2006. The producers would have thought to cash it on the gossip surrounding them and it seemed to have worked as well in western countries. The movie which was made at a moderate budget of $18 million has done around $200 million of business so far in 2 months. But I personally was completely disappointed with the movie. According to me the only good performance in the movie was delivered by Jason Segal. They had a good concept. A drinking, foul-mouthed, weed-smoking, teacher, who hates kids, gets on a mission to enlarge her tits to seduce a rich substitute teacher and gets into a cat-fight with other female teacher in the pursuit to win over the rich guy. They could have had tons of funny sequences. But they though only a few would suffice. I won’t deny the fact that there are a few good sequences but if its just few giggles you’re looking for then go for it otherwise let it pass. Bad teacher was released in UK on 17th June and in US on 24th June while it was released for Indian audience this week.

Legends: Shammi Kapoor

Shammi Kapoor in Ujala

Last weekend, on Sunday 14th of August, the first news to come to attention were the demise of a Bollywood actor named Shammi Kapoor. The actor was suffering from chronic renal disorder and breathed his last on 14th August, at Breach Candy Hospital, Mumbai at 5:15 A.M in the morning. Almost all big names in the industry including the whole Kapoor family attended his funeral rituals. After the ceremony, everyone tweeted about it within 140 characters and carried on with their lives. Well, the actor certainly deserved more homage than just that. Here is my tribute to one of the most versatile actors of the Indian Cinema.

A lot has been talked about in industry about the ‘star-children’ making their debut in Indian Cinema. We had Sonam Kapoor (Anil Kapoor’s dauthger), then Sonakshi Sinha (Shatrugna Sinha’s daughter) making their prominent mark, then we had Prateik Babbar (Raj Babbar’s son), Imaad Shah (Naseruddin Shah’s son), Jakie Bhagnani (Vasu Bhagnani’s son), and Sharddha Kapoor (Shakti Kapoor) hitting the screens this year with their debut film and as we say this even more names like Arjun Kapoor (Boney Kapoor’s son) and Varun Dhawan (David Dhawan’s son) are getting geared up with their first films. Seeing this rush it reminds us of the question whether Indian cinema is really harboring true talent or it has just turned into a family business where in a complete new comer has no shot without a Godfather.

The stakes are high today, for the youngsters stepping in, on the platform which was build by their parents in the industry. They have to prove worthy enough for the opportunity they’ve got or else we’ve several names like Kumar Gaurav, Dimple Kapadia, Tanisha, Arya Babbar, etc who couldn’t make it despite the parental leverage. This question that the children being given undeserved opportunities just because they have privileged parents has haunted several actors like Abhishek Bachchan, Rishi Kapoor, Hrithik Roshan, and several others. Several even got sidelined and weren’t able to achieve limelight as much as their predecessors. But here, in this story I am going to talk about a hero who despite belonging to a very well-known and well-acclaimed background, made his mark prominently and set his own space in industry. Right from dialogue delivery, dancing style to a complete aura of an actor – he had his originality in every aspect of acting. You could say that he had setup a league of his own.

Shammi Kapoor

A member of the legendary Kapoor family Shammi Kapoor was the 2nd son of the industry’s first prominent actor Prithviraj Kapoor. His elder brother, the magnificent Raj Kapoor and even his younger brother Shashi Kapoor were well known film actors of the same generation. Today we’ve 4th generation of Kapoor family working in the Indian film Industry.

Shamsher Raj Kapoor, better known as Shammi Kapoor was born on October 21st, in the year 1931 in Mumbai. Though his birthplace was Mumbai, he spend his early childhood in Kolkata as his father used to work there for time being in New Theater Studios. They later shifted to Mumbai when his father started Prithvi Theater. He completed his schooling in Mumbai and started doing drama and small theater. His father allowed him to join Prithvi Theaters as a junior artist and used to get Rs. 150 per month as a salary. No undue advantage of being a Kapoor. Treating him as a commoner made him very humble and gave him an opportunity to bring out the true actor in him. He worked there for four years and learned a lot about the world of films.

In the year 1953 he was given his first break by Mahesh Kaul’s film, ‘Jeevan Jyoti’ which co-starred Chand Usmani. He started off with serious films but soon got his right niche. Films like Tumsa Nahi Dekha, Dil Deke Dekho, Junglee, etc made him a romantic, a happy-go-lucky star. He was tall and well built, and being a Punjabi-Khatri, he had a very fair complexion like his other family members. But his green eyes and his physique made him a very handsome actor and his looks created a rage during his times. He did hard-core romantic films, drama films, murder-mysteries, etc. All sorts of films made him an extremely versatile actor. He would fit into those roles as a perfect fit and performed them flawlessly. Apart from the three I just mentioned, his famous films include films like, Dil Tera Deewana, Professor, China Town, Kashmir Ki Kali, Teesri Manzil, Rajkumar, Bluffmaster, An Evening in Paris, Bramahachari, Andaz, Vidhata, etc and several others. If you’ve not watched anyone of the movies mentioned here, don’t call yourself a Shammi Kapoor fan. All of them are timeless classics.

He received his first Filmfare award of his career for the film Brahamachari. He was well renowned as a romantic star. But unfortunately as years passed by and he aged and he started gaining weight, the moonwalk ended for him. But he just didn’t quit. He started going for the supported roles in movies and he even perfected that spot as well. He won two Filmfare awards and several nominations for Supporting roles he played in films like Vidhataa, Andaz, etc.

He had a very sound personal life as well. While he was already acclaimed as an actor, he happened to meet the actress Geeta Bali. They fell in love and eloped together and got married in a temple. They returned and informed everyone. He had beautiful son named Aditya and a daughter named Kanchan. In the year 1966, Geeta Bali caught hold of Small Pox and it proved to be fatal for her. She left Shammi Kapoor along with 2 kids. Loneliness made marry second time in 1969. His second wife was Neela Devi Gohil and she belonged to the Royal family of Bhavanagar. They were married till Shashi Kapoor passed away last week.

In last one and a half decade he did less number of films. During the course of his career, he has acted in more than 100 films and he even tried his hand at direction and made two movies. But it didn’t seem to quite work out for him. His last appearance was in a film called Sandwich in the year 2006 and there are also news that he might star in the upcoming movie named Rockstar which is being made by Imtiaz Ali, in which his grand-nephew Ranbir, is playing the lead role. But unfortunately that won’t be possible now.

Shammi Kapoor

He has faced a lot of health related issues with the passing of age. But that hasn’t bothered his spirit even a bit. He used to go for dialysis thrice a week and still managed to smile and enjoy his life. He was one actor who will always stay around in talks and was considered as one of the finest actors of Indian cinema. A true rockstar and a gem of a person! We will never forget you Shammi ji.

Masterpieces: Barsaat (1949)

Barsaat Movie poster with Raj Kapoor and Nargis

All Hindi film fans are well aware of the glorious history of Indian cinema. Right from where it all started and how exactly has it reached here where it is today. Several people have contributed to it and no single individual can be credited for it. But there are some names in history who, sort of, ruled over the industry during their era. Their performances not only stunned the audiences across the globe but also but also left other contemporaries mesmerized. If we start listing such names right from the inception of this great industry the name which would top the list is none other than the showman Raj Kapoor.

Raj Kapoor’s fame is spread so far and wide that his work speaks for him, so much so that, even till date perhaps there would be no kid in India who watches Indian films yet, doesn’t know about him or his films. The man was a legend and so were his creations. You can rightly call him as the first superstar for Indian folks. Before him no other actor received a fan following of his kind.

During his career he acted in tons of movies. Many of which went beyond being blockbusters. He also directed and produced several of them. One such film which everyone remembers is his 1949 film Barsaat (translated as: Rain). If I am not wrong, Barsaat was the first blockbuster of his career. Today we will be talking about on and off screen facts about this magnificent film.

The story of Barsaat was very heartwarming. Raj Kapoor along with Prem Nath, played the two friends who are rich and flamboyant. RK played a character of a guy named Pran who lived his life by his heart, despite having all the riches in the world. While his friend Gopal (portrayed by Prem Nath) knew exactly what being rich was. He was hardheaded and unsentimental. He neither was romantic by his heart nor did he value what others thought or felt.

The story starts with both the friends going on a holiday in the valley of Kashmir. There, amidst the beauty of nature they meet two beautiful girls Reshma and Neela. Pran falls in love with Reshma gradually  and Gopal seems to be generating feelings for Neela but ultimately he turns out to be a Casanova who is nothing more than a womanizer. He even criticizes Pran for his tender feelings towards Reshma. But for Pran things had already got pretty serious. Reshma mattered to him more than anything else in the world.

Nargis & Raj Kapoor

Time passes by and a moment comes when Pran has to leave Resmha and go home. But he promises that he would come back before the rainy season comes. The rainy season holds a significant importance here. It is a metaphor for separation and pain which Pran and Reshma had to bear in order to achieve their love. Hence the movie is named Barsaat.

This is the period when turbulences creep up in Pran’s and Reshma’s life. Their love faces opposition from parents, they face accidents, and even Reshma’s marriage gets fixed against her choice with a fisherman. But Pran makes it to the valley again in time and they are reunited. The movie ends perfectly in harmony as Gopal realizes his mistake and pleads guilty to Neela, but the realization come to him too late to find his love dead. The film ends with Gopal lighting the funeral of Neela and the long awaited rains downpour.

Every aspect of this film was perfect. The actors, the script, the camerawork, the music, everything was superb. Infact, the music was fabulous and was received with huge applause from the audiences. We are talking about a period when India had just gained freedom from British rule and was having a hard time making a name for itself on the global scale. During these difficult times, films played a major role in motivating the common man and ultimately the whole nation. People could connect themselves to the story of the films and hence they used to love it. RK’s films were very close to reality and that was the factor which clicked for him. Apart from that, RK also had very melodious soundtracks in his films which augmented the film’s success. But in this film, Raj Kapoor had taken a huge risk by taking Shanker-Jaikishan duo as music directors as they were new in the industry and no one knew them before. It was their debut movie and gave them a great lift in their career. They went on to become prominent music directors in Indian film industry. The story and script of Barsaat were written by the famous Ramanand Sagar, the one who made famous religious serials on Ramayana and Shri Krishna, etc. and has also made several hindi movies later on.

This 171 minutes long, black and white classic movie, was release on 21st April, 1949. Later on after 7 years the movie was also translated in Turkish and released in Turkey on 11th January, 1956. The movie was a major blockbuster and broke the record of Ashok Kumar’s Kismet as the highest grossing film and set a new record at box office grossing around Rs. 11,000,000. It was a mammoth figure back then as Indian rupee has inflated a lot since then. This movie is very old it would be very tough to get its tape. But if you get a chance, do watch it. A true classic!

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